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This is down to the uncompromising design of its circuit emulators, specifically with regards to its filters which feature zero-delay feedback, resulting in a much more accurate representation of analogue hardware than the majority of soft-synths. The first thing to note about this instrument is that it places a heavy burden on the host CPU, and so a powerful computer is required. This synth has been the subject of great anticipation in the weeks leading up to its eventual release, with a (discounted) public beta being made available in mid-November last year, and the final version following a month later.ĭiva is installed in VST and/or AU formats, together with an optional-and very extensive-bank of presets.
#U he diva banks full#
With Diva, u-he are attempting to deliver a product which sounds as good as a virtual analogue synth possibly can.ĭiva is in fact an acronym: the synth's full name is "Dinosaur-Impersonating Virtual Analogue," which indicates the designers' aim to "capture the spirit of various classic analogue synthesizers"-the Dinosaurs of the title. The success of contemporary hardware by the likes of Dave Smith and Moog prove that there is still a solid user base eager for the real thing.
#U he diva banks software#
The major point of contention with software subtractive synths-especially those intended as "authentic" emulations of expensive vintage hardware-has been the long-running debate over whether a piece of digital software can ever fully recreate the sonic nuances of a well-maintained analogue synthesizer.
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One of the latest instruments to be released into this last category is Diva, from German company u-he (the corporate identity of its founder, Urs Heckling), who have a strong track record of great-sounding products, notably their Zebra synth and Filterscape dynamic filterbank.
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Soft synths employing virtual oscillators, filters, envelopes and LFOs vary enormously in price, quality and complexity from the proprietary synths bundled with most DAWs, to freeware models, to "premium" launches from Arturia and Native Instruments amongst many others. The immediacy of subtractive synthesis controls (especially when operated with a MIDI controller or DAW automation), coupled with their low cost in comparison to vintage or contemporary hardware, has proven irresistible to countless producers.